[This interview was originally published in Left History, vol. 18, no. 1 (2014).]
Phyllis Jacobson (1922-2010) and Julius Jacobson (1922-2003) were socialist activists in New York City from the mid-1930s through the first years of the twenty-first century. They were members of a radical generation that came of age during the great depression and embraced the language of socialism, communism, and Marxism. They were also the children of working class Jewish immigrants who grew up in the city’s outer boroughs. For their parents, the First World War, the Bolshevik Revolution, and the general strikes and mass uprisings that convulsed many countries after the war were all recent events. The near collapse of the global economy in the early 1930s confirmed for many of their cohort the basic assumption that capitalism was inherently impermanent. Adopting a socialist outlook in a period characterized by social upheaval and economic crisis was easy; the challenge had to do with selecting a suitable group or tendency from a fissiparous menu of options.
On March 25, 2016, New Politics sponsored a forum centered on its release of a never-before-published lecture by Afro-Trinidadian socialist C.L.R. James on Oliver Cox’s Caste, Class and Race.
[This petition was sent to us by Zsuzsa Hermann. György Lukács (1885-1971) was a Hungarian Marxist philosopher, aesthetician, literary historian and critic. Best known for his essay collection History and Class Consciousness (1923), he initiated the tradition of "Western Marxism." In 1919 he was the Hungarian Minister of Culture of the government of the short-lived Hungarian Soviet Republic (March–August 1919).]
Will we ever get over this thing called civilization? That's what I wondered as I watched The Embrace of the Serpent, directed by Colombian filmmaker Ciro Guerra, a black-and-white film in several indigenous and European languages that has some of the qualities of a documentary. But this is a truer-than-history fiction, fabricated out of the travel diaries of two botanists, Theodor Koch-Grunberg (Jan Bijvoet) and Richard Evan Schultes (Brionne Davis), both of whom traveled in the Amazon region, the former in 1909 and the latter in 1940. The challenging and sometimes horrifying experiences of the two scientists are linked together by the character Karamakate who serves as guide to both and a challenge to each. (Nilbio Torres plays the young Karamakate and Antonio Bolívar the old Karamakate.) Both botanists are looking for yakruna, a rare, sacred, and hallucinogenic plant, and their search takes them into the jungles inhabited by peoples menaced by the encroaching modern world.
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
Agustín Guillamón is a dedicated anarcho-syndicalist activist whose partisanship has not affected his critical sensitivities nor prevented him from graphically outlining what he regards as the errors and inconsistencies of the Spanish libertarian left.
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
First, full disclosure: I read most of Jack Ross’s The Socialist Party of America in draft. Although it is normally not good policy to then review the book, I felt I could express my respect for what Jack Ross is attempting and share my concerns in a way that could serve a useful purpose.
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
First, allow me to come clean: I count Paul Le Blanc as a friend and comrade and am in his debt—along with Peter Hudis, author of Marx’s Concept of the Alternative to Capitalism (Haymarket, 2013)—for inviting me to join the editorial board of the Complete Works of Rosa Luxemburg being published by Verso Books. And I am in agreement with many of the positions on politics and historical matters that Le Blanc expresses in Unfinished Leninism.
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
Arthur Henry Young (1866-1943), known to the world as Art, was arguably the most widely recognized and beloved cartoonist in the history of American radicalism. A working cartoonist for sixty years, Art Young drew thousands of simple black-line drawings with biting captions that appeared in big-city newspapers, liberal magazines, and, most importantly, in the socialist, labor, and radical press of the early twentieth century.
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
After ten years of economic contraction, many of the citizens of Puerto Rico find themselves watching the secular decomposition of a reality that in its heyday was painted by many as one of relative socio-economic welfare.
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
Today, a year after the heroic resistance of Kobani made it to the world news, it is hardly necessary to give an introduction to the Kurdish struggle, which has now taken a central place in the imagination of the international left, both vanguardist and anti-authoritarian.
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
The siege of Kobani by Islamic State (ISIS) brought worldwide attention to the Syrian Kurdish PYD (Partiya Yekîtiya Demokrat, Democratic Union Party), the leading force in the Kurdish-majority areas in northern Syria. The PYD calls this region Rojava—literally meaning “land of the sunset” but also translated as “West Kurdistan.”
Winter 2016(New Politics Vol. XV No. 4, Whole Number 60)
In a June 2015 election, the new People’s Democracy Party (HDP) of Turkey passed a highly undemocratic 10 percent threshold to enter the Turkish parliament.
Almost a century ago, the socialist journalist John Reed wrote of the Industrial Workers of the World, popularly known as the Wobblies, “Remember, this is the only American working-class movement which sings. Tremble then at the IWW, for a singing movement is not to be beaten.” On the other hand, the sheriff of San Diego complained of his jails filled with Wobblies, “I do not know what to do. I cannot punish them. Listen to them singing all the time, and yelling and hollering, and telling the jailers to quit work and join the union.”
The movie Suffragette is the first feature film that dramatically depicts the monumental struggle for women’s right to vote in pre-World War I England. (Please erase from your memory the horrible, and I mean horrible, portrayal of suffragettes in the Disney monstrosity Mary Poppins.)
Directed by Sarah Gavron, with screenplay by Abi Morgan, the project also had the support and star power of Meryl Streep in a brilliant-as-always portrayal of Emmeline Pankhurst, the leader of the militant suffragette organization, the Women’s Social and Political Union (WSPU).
New Politics shares this post, written in June 2015 to celebrate the 100th birthday of Grace Lee Boggs, who passed away Monday Oct 5, 2015. See a film about her:
Summer 2015(New Politics Vol. XV No. 3, Whole Number 59)
Shirley Chisholm: Catalyst for Change by Barbara Winslow brings back to our attention one of the most notable and esteemed African-American women of the 1960s and 1970s. Winslow reports that “a 1974 Gallup Poll listed her as one of the top-ten most admired women in America.” She was the first black woman elected to Congress.
Summer 2015(New Politics Vol. XV No. 3, Whole Number 59)
In his newest book, historian Greg Grandin provides background to Herman Melville’s classic Benito Cereno, an 1855 short novel about a slave rebellion. Reflecting on this story written almost two centuries ago, Grandin opens up space for further research by those investigating the Black Atlantic.
Summer 2015(New Politics Vol. XV No. 3, Whole Number 59)
Wonder Woman was not the first female superhero, but she is the best known of the modern-day costumed heroines. Armed with indestructible bracelets, her Amazonian heritage, and a “magic lasso,” the character’s inaugural debut came in the pages of All Star Comics #8 in December 1941; a month later she was showcased on the cover of Sensation Comics #1.
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Will we ever get over this thing called civilization? That's what I wondered as I watched 
Arthur Henry Young (1866-1943), known to the world as Art, was arguably the most widely recognized and beloved cartoonist in the history of American radicalism. A working cartoonist for sixty years, Art Young drew thousands of simple black-line drawings with biting captions that appeared in big-city newspapers, liberal magazines, and, most importantly, in the socialist, labor, and radical press of the early twentieth century.
After ten years of economic contraction, many of the citizens of Puerto Rico find themselves watching the secular decomposition of a reality that in its heyday was painted by many as one of relative socio-economic welfare.
Today, a year after the heroic resistance of Kobani made it to the world news, it is hardly necessary to give an introduction to the Kurdish struggle, which has now taken a central place in the imagination of the international left, both vanguardist and anti-authoritarian.
The siege of Kobani by Islamic State (ISIS) brought worldwide attention to the Syrian Kurdish PYD (Partiya Yekîtiya Demokrat, Democratic Union Party), the leading force in the Kurdish-majority areas in northern Syria. The PYD calls this region Rojava—literally meaning “land of the sunset” but also translated as “West Kurdistan.” 
In a June 2015 election, the new People’s Democracy Party (HDP) of Turkey passed a highly undemocratic 10 percent threshold to enter the Turkish parliament.
New Politics shares this post, written in June 2015 to celebrate the 100th birthday of Grace Lee Boggs, who passed away Monday Oct 5, 2015. See a film about her:
Shirley Chisholm: Catalyst for Change by Barbara Winslow brings back to our attention one of the most notable and esteemed African-American women of the 1960s and 1970s. Winslow reports that “a 1974 Gallup Poll listed her as one of the top-ten most admired women in America.” She was the first black woman elected to Congress.
In his newest book, historian Greg Grandin provides background to Herman Melville’s classic Benito Cereno, an 1855 short novel about a slave rebellion. Reflecting on this story written almost two centuries ago, Grandin opens up space for further research by those investigating the Black Atlantic.
Wonder Woman was not the first female superhero, but she is the best known of the modern-day costumed heroines. Armed with indestructible bracelets, her Amazonian heritage, and a “magic lasso,” the character’s inaugural debut came in the pages of All Star Comics #8 in December 1941; a month later she was showcased on the cover of Sensation Comics #1.
A review of The Bigot: Why Prejudice Persists, by Stephen Eric Bronner, Yale University Press, 2014.
