Fifty years ago this fall, a campus upsurge turned opposition to the Vietnam War into a genuine mass movement.
On October 15, 1969, several million students, along with community-based activists, participated in anti-war events under the banner of the “Vietnam Moratorium.” . . .
On Sunday, 10 June 2018, thousands of people took to the streets in major Vietnamese cities—Nha Trang, Binh Thuan, Hanoi, and Ho Chi Minh City, among others. Academics, independent journalists, and overseas Vietnamese signed petitions to join in their protest against the Draft Law on the 99-year lease of the three Special Administrative and Economic coastal zones in Vietnam. Workers, too, went on strike in two industrial zones in Long An and Tien Giang provinces. These collective actions led to a concession from the government: it would delay the National Assembly’s ratification of the Draft Law to its next meeting.
Three photographs in particular have come to define the decade-and-a-half-long U.S. military intervention in Vietnam. They show the self-immolation of a Buddhist monk, burnt children in tears as they flee an aerial napalm attack, and the Saigon police chief executing a captive in the street.
[The following review of mine appears as Hardhats for Peace in the July 18 issue of The Indypendent, which calls itself with considerable justification "A Free Paper for Free People." An expanded version surveying a number of recent (and quite good) critiques of U.S. misadventures in East Asia from the Philippines to today, will appear in the forthcoming New Politics.]
Ngo Van’s memoir of "those other movements and revolts caught in the crossfire between the French and the Stalinists" in the years before the American commitment in Vietnam reminded me, painfully, of an "editorial" I wrote on the fall of Saigon.
The new issue is now